Figure 13

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Frequency intervals with respect to type of tuba. Blue points: frequency interval inferred from the recording of the first tuba player, orange points: frequency interval inferred from the recording of the second tuba player, green points: frequency interval inferred from the bifurcation diagrams, red points: frequency interval inferred from the linear stability analysis (when relevant). The instantaneous frequency (respectively the “error” bar) of a note is computed taking the average (respectively the standard deviation) of the frequency over the notes occurrences in the exercise – usually from 4 to 8 identical notes – of the average frequencies individually computed by Yin [34] in a permanent regime. (a) Ghost note/second regime. (b) Pedal note/ghost note. (c) Pedal note/second regime.
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