Issue |
Acta Acust.
Volume 9, 2025
|
|
---|---|---|
Article Number | 32 | |
Number of page(s) | 12 | |
Section | Musical Acoustics | |
DOI | https://doi.org/10.1051/aacus/2025014 | |
Published online | 30 April 2025 |
Audio Article
Developing methodologies to study perceived sound qualities of violins*
1
Institut Jean Le Rond D’Alembert, UMR 7190, CNRS/Sorbonne Université 4 Place Jussieu 75005 Paris France
2
Violin maker, Manchester 31A Derbyshire Road Manchester M40 1QN UK
3
Bele, Conservatorio de Musica – Juan Crisostomo de Arriaga, Bilbao Ibarrekolanda Plaza 1 48015 Bilbao Spain
4
Cambridge University Engineering Department, Cambridge Trumpington Street Cambridge CB2 1PZ UK
** Corresponding author; claudia.fritz@sorbonne-universite.fr
Received:
15
April
2024
Accepted:
12
March
2025
Violin makers and acousticians have long sought correlations between sound qualities, construction parameters and vibroacoustic measurements. This is challenging for three main reasons: it is difficult to build violins reliably enough to ensure that the change in the sound is only a result of the intended change of construction parameters; no clear link has been found so far between measurements and perceived qualities; and when listening to violins being played, differences tend to be smoothed out by the players who adapt very quickly. Therefore, while we have previously preferred using players in our experiments to maximise ecological validity and account for the complexity of the interaction between the player and the instrument, in this study we test whether other methods that reduce the player's influence, though more artificial, may be useful for exploring the impact of certain construction parameters on the sound. In the context of a set of violins built with controlled thickness variations in their plates, we conducted two listening tests, based on real recordings of a player and a bowing machine, along with synthesised sounds created from an excerpt recorded with piezo sensors by convolution with radiation measurements in an anechoic chamber. The hybrid synthesis was found to be the most effective of the three in highlighting instrument differences, capturing properties perceived in the actual instruments, and correlating with radiation measurements.
Key words: Violin / Perception / Construction parameters / Sound quality / Loudness
© The Author(s), Published by EDP Sciences, 2025
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