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Table 5
Listening test results for viol examples showing p-values (and Cohen’s d where significant p-values were found) of t-tests of responses for performances in the two different rooms. Bold, single asterisk (*) and double asterisk (**) indicate significance at the <.05, <.01, and <.001, respectively.
| Average |
Extreme |
All |
||||
|---|---|---|---|---|---|---|
| p | d | p | d | p | d | |
| Phrasing | ||||||
| Continuous–Articulated | .230 | – | .056 | – | <.001** | −0.34 |
| Strict–Flexible | .744 | – | <.001** | −0.89 | .004* | 0.27 |
| Mechanical–Varied | .867 | – | <.001** | −1.13 | .018 | 0.22 |
| Tone production | ||||||
| Forced–Light | .623 | – | .094 | – | .670 | – |
| Muddy–Clear | .054 | – | .076 | – | .163 | – |
| Straight–Uneven | .309 | – | .008* | 0.55 | .053 | – |
| Vibrato | .433 | – | .787 | – | .756 | – |
| Baroque expressive | .540 | – | .880 | – | .715 | – |
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