Appendix 1
Eight dimensions of the 43 soundscape intervention practices in CSI database, adapted from the work of Moshona and her team [25].
| Project name | Stages | Contributors | Scale | Period of time | Intervention type | Public involvement | Aims and purpose | Approach |
|---|---|---|---|---|---|---|---|---|
| Arizona Science Center | B | B, C | B | B | D | – | E | B |
| Bamboo Garden | B | A, B, C | A | B | B/C, D | – | B, D | A, C |
| Biophony: SoundGarden | B | B, C | A | A | D, E | – | B, E | C, D |
| Birrarung Marr Park | B | B, C | A | B | D, E | E | B, E | B, C |
| Blue Moon | B | B, C | B | B | D, E | – | B, C, E | C, B |
| Ellen Reid Soundwalk | B | B | C | B | E | – | B | C |
| Fontaine de Milan | B | B | A | B | A, B/C | – | B, C | B |
| Garden of Sound | B | A | B | B | D | – | B, D | A, D |
| Harmonic Bridge | B | B, C | B | A | D, E | – | B, E | B, C |
| Harmonic Conduit | B | B, C | B | A | D, E | – | B | B, C |
| Heaven’s Cloth | B | C | A | A | D | – | B | C |
| Het Klankenbos Sound Forest | B | B, C | B | B | D, E | – | B | C, B, D |
| Imagination Playground | A | A, B | B | B | D | – | C, D | A |
| Jim Ellis Freeway Park | B | A, B | B | B | B/C, D | – | B, C | A |
| Lincoln Park | B | A, B | B | B | D, E | – | B | A, C |
| Musical Roads | B | B, C | B | B | A, E | – | B | B |
| Nauener Platz | B | A, B, D | B | B | B/C, D, E | B, C, D | B, C, D, E | A, C |
| Neville Stress Underpass | B | A, B, C | B | B | B/C, D, E | – | B, C | C |
| Pavilion of Echoes | B | A, B | A | B | D | – | A, B, E | A |
| Pedalling SeaSides | B | B, C | B | A | E | – | B, | C |
| PS 244 Primary School | B | B | A | B | D, E | – | E | A, B |
| Salesforce Transit Center | B | B, C | B | B | B/C, D | – | B, C | A, B |
| Sea Cat Tail – Umi Tsukushi | B | A, B | A | B | D, E | – | B, E | B |
| Schüssinselpark | B | A, E | B | B | D | – | A, D | D |
| Sea Organ | B | A, B | B | B | D, E | – | B, E | B |
| Sempione Park | B | B, D | B | A | A, D | – | B, E | C |
| Sheaf Square | B | A, B, D | B | B | B/C, D | – | B, C | A |
| Spritzbrunnen at the Dreirosenanlage | B | A, B | B | B | B/C, D | – | B, C | B |
| Suspended Sound Line | B | C | A | B | D, E | – | D | A, B |
| Sustainable Urban Village | A | A, D, E | C | B | A, B/C, D | B, C | A, B, C, D | A, D |
| Sydney Modern Project | B | B, C | A | B | B/C, D, E | – | D | A |
| The Music Box Village | B | A, B, C | B | B | D, E | B, C, E | B, D | A, B |
| The National September 11 Memorial | B | A | B | B | B/C, D | – | B, C | A |
| Thames Barrier Park | B | A | B | B | B/C, D | B, C, D | B, C, D | A |
| Time Piece | B | B, C | A | B | D, E | – | B, E | C |
| Urban Light Contacts | B | B, C | A | A | E | – | B, E | B, C |
| Urban Sound Planing – Brighton & Hove | A | A, B, D, E | C | B | A, B/C, D, E | B, C, D | A, B, C, D, E | A, C |
| Vertical Water | B | B, C | A | A | A, D | – | C | A, C |
| War Damaged Instrument | B | B, C | A | A | E | – | A, B, E | C |
| Warwick Bar Master Plan | A | A, B, C, D, E | B | B | D, E | – | A, B, C, D | C, D |
| Water Veil | B | B, C | A | A | B/C, D | – | B, C | B |
| Whispering Wind | B | B, D | A | B | D, E | – | B, D, E | A |
| The Musikiosk | B | B, D | B | A | A, E | B, D, E | B, C | C |
The classification of the eight dimensions (including number of occurrences):
1. Stages – A: Planning (4), B: Implementation (39).
2. Contributors – A: Urban planners and architects (15), B: Acoustic engineers (36), C: Musicians and artists (23), D: Academics (9), E: Policymakers (4).
3. Scale – A: Microscale (e.g., pocket garden) (16), B: Mesoscale (e.g., city block) (24), C: Macroscale (e.g., city) (3).
4. Period of time – A: Short-term (9), B: Permanent (34).
5. Intervention types – A: Source (7), B/C: Path/Infrastructure (14), D: integral/design (36), E: Receiver (25).
6. Public involvement – A: Formal application (0), B: Design and management (6), C: Implementation (5), D: Assessment (3), E: Dissemination (3).
7. Aims and purpose – A: Preservation (6), B: Enhancement (36), C: Mitigation (17), D: Design integration (14), E: Education (17).
8. Approaches – A: Architectural (19), B: Mechanical (17), C: Electroacoustic (21), D: Biological/natural (6).
https://soundscape-intervention.org/catalogue/, retrieved August 2023.
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