Open Access
Table 1
Musical pieces and reproduction formats used in the experimental study. Short names of the pieces used throughout this paper are highlighted in bold.
| Piece | Composer | Genre, Ensemble | Production | Dur. in s | Stereo avg. lvl. in dB(A) | Mono | Stereo | 2D | 3D | 3D (−5 dB) | multiMono | 3D Retest |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Walkürenritt | R. Wagner | Opera (orchestra, fem. voices) | Manual upmix from commercial 5.1 [40] | 62.5 | 80.4 | X | X | X | ||||
| School’s Out | A. Cooper, M. Bruce, G. Buxton, D. Dunaway, N. Smith | Rock (band with male voice) | spot mics + 3D ambience (live) | 57.5 | 79.0 | X | X | X | ||||
| In a Mellow Tone | D. Ellington, performed by J. Berger | Jazz (band with fem. voice) | 3D mic. setup + support mics | 35.4 | 73.4 | X | X | X | ||||
| Im Wunderschönen Monat Mai | R. Schumann | Art song (piano, male voice) | 3D mic. setup + support mics | 38.6 | 67.9 | X | X | X | ||||
| Laudate Dominum | J. Vila | Choir (12 singers) | 3D mic. setup + support mics | 33.4 | 71.6 | X | X | X | ||||
| Bilder einer Ausstellung – Das große Tor von Kiew | M. Mussorgsky | Classical (large orchestra) | 3D mic. setup + support mics | 37.3 | 76.3 | X | X | X | X | |||
| Die Hantel | F. Thiesen | Electropop (synthesizers, voices) | multitrack studio production | 61.8 | 75.5 | X | X | X | X | X* | ||
| Rokoko variations – Finale | P. Tchaikovsky | Classical (woodwind quintet, cello) | manual upmix from commercial 5.1 [41] | 68.1 | 71.1 | X | X | X | X | X |
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