EDP Sciences logo
Submit your paper
Search
Menu
All issues Volume 7 (2023) Acta Acust., 7 (2023) 54 References
Open Access
Issue
Acta Acust.
Volume 7, 2023
Article Number 54
Number of page(s) 11
Section Room Acoustics
DOI https://doi.org/10.1051/aacus/2023046
Published online 06 November 2023
  1. W.C. Sabine: Collected papers on acoustics, Harvard University Press, Cambridge. 1922. [Google Scholar]
  2. L. Beranek: How they sound: Concert and Opera halls, Acoustical Society of America, 1996. [Google Scholar]
  3. B. Postma, S. Jouan, B.F.G. Katz, Pre-Sabine room acoustic design guidelines based on human voice directivity, Journal of Acoustical Society of America 143, 4 (2018) 2428–2437. https://doi.org/10.1121/1.5032201. [CrossRef] [PubMed] [Google Scholar]
  4. B. Postma, E. Green, E. Kahle, B.F.G. Katz: Pre-Sabine room acoustic guidelines on audience rake, stage acoustics, and dimension ratios. Acoustics 3, 2 (2021) 235–251. https://doi.org/10.3390/acoustics3020017. [CrossRef] [Google Scholar]
  5. J. Russell: Elementary considerations if some principles in the construction of buildings designed to accommodate spectators and auditors, Edinburgh New Philosophical Journal 27 (1839) 131–136. [Google Scholar]
  6. T. Lachèz: Acoustique et Optique des Salles de Réunion Publiques, Théâtres et Amphithéâtres, Spectacles, Concerts etc. [Acoustics and Optics of Public Meeting Rooms. Theaters and Amphitheatres, Performances, Concerts, etc.] Lemoine, Paris, France. 1848. [Google Scholar]
  7. B. Postma: A history of the use of time intervals after the direct sound in concert hall design before the reverberation formula of Sabine became generally accepted. Building Acoustics 20, 2 (2013) 157–176. https://doi.org/10.1260/1351-010X.20.2.157. [CrossRef] [Google Scholar]
  8. B. Postma, B.F.G. Katz: A history of the use of reflections arrival time in pre-Sabinian concert hall design, in: Forum Acusticum, Krakow, Poland, 2014, pp. 1–6. [Google Scholar]
  9. B. Postma, B.F.G. Katz: Pre-Sabine room acoustic assumptions on reverberation and their influence on room acoustic design. Journal of Acoustical Society of America 147 (2020) 2478–2487. https://doi.org/10.1121/10.0001082. [CrossRef] [PubMed] [Google Scholar]
  10. C. Dumont: Parallele des plans des plus belles salles de l’Italie et de la France, Rue des Arcis, dans la Maison occupee par un Commissaire, A.P.D.R. Avec Privilege du Roy, Paris, France. 1774. [Google Scholar]
  11. P. Patte: Essai sur l’architecture théâtrale, Chez Moutard, Paris. 1782. [Google Scholar]
  12. G. Saunders: Treatise on theaters. I and J Taylor, London. 1790. [Google Scholar]
  13. C. Langhans: Über Theater oder Bemerkungen über Katakustik in Beziehung auf das Theater, Gottfr. Hayn, Berlin. 1810. [Google Scholar]
  14. F. Weinbrenner: Über Theater in Architektonischer Hinsicht mit Beziehung auf Plan und Ausführung des Neuen Hoftheater zu Carlsruhe, J.G. Cottaschen Buchhandlung, Tübingen. 1809. [Google Scholar]
  15. B. Postma, B.F.G. Katz: Creation and calibration method of virtual acoustic models for historic auralizations. Virtual Reality 19, SI: Spatial Sound (2015) 161–180. https://doi.org/10.1007/s10055-015-0275-3. [CrossRef] [Google Scholar]
  16. S. Siltanen, T. Lokki, L. Savioja, Rays or waves? Understanding the strengths and weaknesses of computational room acoustics modeling techniques, in: International Symposium on Room Acoustics, Melbourne, Australia. 2010, pp. 1–6. [Google Scholar]
  17. P. Luizard, M. Otani, J. Botts, L. Savioja, B.F.G. Katz: Comparison of sound field measurements and predictions in coupled volumes between numerical methods and scale model measurements. Proceedings of Meetings on Acoustics 191 (2013) 1–9. https://doi.org/10.1121/1.4799138. [Google Scholar]
  18. S. Weinzierl, P. Sanvito, F. Schultz, C. Büttner: The acoustics of renaissance theatres in Italy. Acta Acustica united with Acustica 101, 3 (2015) 632–641. [CrossRef] [Google Scholar]
  19. J.-H. Rindel, M. Lisa: The ERATO project and its contribution to our understanding of the acoustics of ancient Greek and Roman theaters, in: ERATO Project Symposium, Istanbul, Turkey, 2006. [Google Scholar]
  20. D. Murphy, S. Shelley, A. Foteinou, J. Brereton, H. Daffern: Acoustic heritage and audio creativity: the creative application of sound in the representation, understanding and experience of past environments. Internet Archaeology Special issue 44 (2016) 1–23. [Google Scholar]
  21. F. Garcia, A. Planells, S. Cerdá, R. Montell, A. Giménez: Archeological acoustics of the venue of the misteri d’elx, oral and intangible cultural heritage (UNESCO): Basilica de santa maria de elche, in: Forum Acusticum, Krakow, Poland, 2014, pp. 1–6. [Google Scholar]
  22. B.F.G. Katz, E. Wetherill: Fogg art museum lecture room, a calibrated recreation of the birthplace of room acoustics, in: Forum Acusticum, Budapest, Hungary. 2005. [Google Scholar]
  23. H. Weinzierl, J. Rosenheinrich, M. Blickensdorff, A.Lindau Horn, Die akustik der konzertsäle im leipziger gewandhaus. geschichte, rekonstruktion und auralisation, in: Proc. Fortschritte des Akustik, DAGA, Berlin, Germany. 2010, pp. 1045–1046. [Google Scholar]
  24. B. Postma, S. Dubouilh, B.F.G. Katz: An archeoacoustic study of the history of the Palais du Trocadero (1878–1937). Journal of the Acoustical Society of America 145, 4 (2019) 2810–2821. https://doi.org/10.1121/1.5095882. [CrossRef] [PubMed] [Google Scholar]
  25. S. Vissilantonopoulos, J. Mourjopoulos: Virtual acoustic reconstruction of ritual and public spaces of ancient Greece. Acta Acustica united with Acustica 87 (2001) 604–609. [Google Scholar]
  26. J. Takala, M. Kylliaüinen: Comparison of modelled performance of a vanished building with historical information on its acoustics, in: Forum Acusticum, Krakow, Poland. 2014, pp. 1–6. [Google Scholar]
  27. H. Niemi, M. Kylliäinen, J. Jäppinen, M. Lindqvist: Acoustics of vanished concert halls of Helsinki: preliminary results, in: Forum Acusticum, Krakow, Poland, 2014, pp. 1–6. [Google Scholar]
  28. X. Zeng, C. Christensen, J. Rindel: Practical methods to define scattering coefficients in a room acoustics computer model. Applied Acoustics 67 (2006) 771–786. [CrossRef] [Google Scholar]
  29. F. Martellotta: Caveats and pitfalls in acoustic simulation of non-existing buildings, in: Proc. Symp The Acoustics of Ancient Theatres, Verona, Italy, 2022, pp. 1–4. [Google Scholar]
  30. C. Zimmermann: Ch. Das Berliner Nationaltheater von Carl Gotthard Langhans [The Berlin National Theater by Carl Gotthard Langhans], in: K. Gerlach, R. Sternke (Eds.), Der gesellschaftliche Wandel um 1800 und das Berliner Nationaltheater, Vol 15, Wehrhahn Verlag, Hannover, 2008, pp. 21–46, ISBN 978-3-86525-115-2. [Google Scholar]
  31. Architekturmuseum Berlin, https://architekturmuseum.ub.tu-berlin.de/index.php?p=51&O=95288, accessed: 2022-25-10. [Google Scholar]
  32. K. Langhans: Vergleichung des neuen Schauspielhauses zu Berlin mit Verschiedenen altern und neuen Schauspielhuäsern in Rucksicht auf akustische und optische Grundsätze, Johann Friedrich Unger, Berlin. 1800. [Google Scholar]
  33. J. Gehler: Physikalisches Wörterbuch, oder Versuch einer Erklärung der Vornehmsten Begriffe und Kunstwärter der Naturlehre, mit Kurzen Nachrichten von der Geschichte der Erfindungen und Beschreibungen der Werkzeuge Begleitet, Schwikerschen Verlag, Leipzig. 1787.. [Google Scholar]
  34. J. Rhode: Theorie der Verbreitung des Schalles für Baukünstler, Heinrich Frolich, Berlin. 1800. [Google Scholar]
  35. L. Catel: Vorschläage zur Verbesserung der Schauspielhäuser, G.A. Lange, Berlin. 1802. [Google Scholar]
  36. B. Postma, B.F.G. Katz: Perceptive and objective evaluation of calibrated room acoustic simulation auralizations. Journal of the Acoustical Society of America 140 (2016) 4326–4337. https://doi.org/10.1121/1.4971422. [CrossRef] [PubMed] [Google Scholar]
  37. M. Vorländer: Auralizations fundamentals of acoustics, simulation, algorithms and acoustic virtual reality, Springer-Verlag. 2008. [Google Scholar]
  38. www.acoustic.ua: Absorption coefficient, http://www.acoustic.ua/st/web_absorption_data_eng.pdf, accessed: 2017-1010. [Google Scholar]
  39. Acoustic supplies, https://www.acoustic-supplies.com/absorption-coefficient-chart/, accessed: 2022-25-10. [Google Scholar]
  40. L. Dietsch, W. Kraak: An objective criterion for the measurement of echo disturbance during presentation of music and speech. Acustica 60 (1986) 205–216. [Google Scholar]
  41. A. Roy, F. Gimbott: Automatic echo determination in measured room impulse responses, in: AES Conv 94, Berlin, Germany. 1993, p. 3573. [Google Scholar]

Current usage metrics show cumulative count of Article Views (full-text article views including HTML views, PDF and ePub downloads, according to the available data) and Abstracts Views on Vision4Press platform.

Data correspond to usage on the plateform after 2015. The current usage metrics is available 48-96 hours after online publication and is updated daily on week days.

Initial download of the metrics may take a while.