Issue |
Acta Acust.
Volume 8, 2024
Topical Issue - Musical Acoustics: Latest Advances in Analytical, Numerical and Experimental Methods Tackling Complex Phenomena in Musical Instruments
|
|
---|---|---|
Article Number | 33 | |
Number of page(s) | 14 | |
DOI | https://doi.org/10.1051/aacus/2024020 | |
Published online | 27 September 2024 |
- F. Hergert: “Celeste” ranks in Pipe Organs and Accordions: Tonal Timbre and consonance of detuned unison intervals, in Proc. Forum Acusticum, Torino, Italy, 11–15 Sep. 2023, pp. 4455–4460. [Google Scholar]
- R. Marjieh, P.M.C. Harrison, H. Lee, F. Deligiannaki, N. Jacoby: Timbral effects on consonance disentangle psychoacoustic mechanisms and suggest perceptual origin for musical scales. Nature Communications 15 (2024) 1482. [CrossRef] [PubMed] [Google Scholar]
- J.I. Wedgwood: A comprehensive dictionary of Organ Stops, The Vincent Music Company, London (UK), 1907. [Google Scholar]
- J. Baggalay, A. Thurlow: Mechanisms of absolute pitch: I. Acoustical beating. Musicae Scientiae 27, 2 (2023) 471–483. [CrossRef] [Google Scholar]
- J. Vos: Spectral effects in the perception of pure and tempered intervals: discrimination and beats. Perception & Psychophysics 35, 2 (1984) 173–185. [CrossRef] [PubMed] [Google Scholar]
- J.G. Bernstein, A.J. Oxenham: Pitch discrimination of diotic and dichotic tone complexes: harmonic resolvability or harmonic number?. Journal of the Acoustical Society of America 113, 6 (2003) 3323–3334. [CrossRef] [PubMed] [Google Scholar]
- F. Hergert, N. Höper: Envelope functions for Pipe Organ ranks and the influence of Pitch on Tonal Timbre. Proceedings of Meetings on Acoustics 49, 1 (2022) 035012. [CrossRef] [Google Scholar]
- R. Plomp: Beats of mistuned consonances. Journal of the Acoustical Society of America 42, 2 (1967) 462–474. [CrossRef] [PubMed] [Google Scholar]
- H. Fastl, E. Zwicker: Psychoacoustics – facts and models, Springer, Berlin, 2006. [Google Scholar]
- F. Hergert, M. Haverkamp: Tonal Timbre variations of historical recorders and transverse flutes compared to Pipe Organ Ranks, in Proc. Forum Acusticum, Torino, Italy, 11–15 Sep. 2023, pp. 4431–4438. [Google Scholar]
- F. Hergert: Design principles of Pipe Organ mixtures – viewed from a psychoacoustic position. Proceedings of Meetings on Acoustics 49, 1 (2022) 035010. [CrossRef] [Google Scholar]
- I. Masina, G. Lo Presti, D. Stanzial: Dyad’s consonance and dissonance: combining the compactness and roughness approaches. The European Physical Journal Plus 137 (2022) 1254. [CrossRef] [Google Scholar]
- I. Masina: Triad’s consonance and dissonance: a detailed analysis of compactness models. The European Physical Journal Plus 138 (2023) 606. [CrossRef] [Google Scholar]
- I. Masina, G. Lo Presti: Triad’s consonance and dissonance: combining roughness and compactness models. The European Physical Journal Plus 139 (2024) 79. [CrossRef] [Google Scholar]
- P.M.C. Harrison, M.C. Pearce: Simultaneous consonance in music perception and composition. Psychological Review 127, 2 (2020) 216–244. [CrossRef] [PubMed] [Google Scholar]
- R. Plomp, W.J. Levelt: Tonal consonance and critical bandwidth. Journal of the Acoustical Society of America 38, 4 (1965) 548–560. [CrossRef] [PubMed] [Google Scholar]
- W.A. Sethares: Tuning, timbre, spectrum, scale, Springer, London (UK), 2005. [Google Scholar]
- D.F. Keislar: Psychoacoustic factors in musical intonation: beats, interval tuning, and inharmonicity. PhD Thesis, Stanford Univ., 1991. [Google Scholar]
- J. Jaatinen: Octave stretching phenomenon with complex tones of orchestral instruments. Journal of the Acoustical Society of America 146, 5 (2019) 3203–3214. [CrossRef] [PubMed] [Google Scholar]
- J. Jaatinen, J. Pätynen: Effect of inharmonicity on pitch perception and subjective tuning of piano tones. Journal of the Acoustical Society of America 152, 2 (2022) 1146–1157. [CrossRef] [PubMed] [Google Scholar]
- H. Hinrichsen: Entropy-based tuning of musical instruments. Revista Brasileira de Ensino de Física 34, 2 (2012) 2301. [Google Scholar]
- A. Vurma, M. Raju, A. Kuuda: Does timbre affect pitch? Estimations by musicians and non-musicians. Psychology of Music 39, 3 (2010) 291–306. [Google Scholar]
- E.M. Skinner, R.H. Skinner: The composition of the organ, Melvin J. Light, Ann Arbor (MI, USA), 1981. [Google Scholar]
- F. Hergert: Reducing the occurrence of “tone voids” in unified organs. ISO Journal 56, 2 (2017) 41–54. [Google Scholar]
- V.G. Porvenkov: Optimum beat rates in well-tuned musical reed instruments, in Proc. 18th Acoust. Conf. Czechoslovakia (Cesky Krumlov, CSSR), pp. 127–131 (1979) (in Russian). [Google Scholar]
- V.G. Porvenkov: Method for tuning reed musical instruments with beats. Patent filed 15. May 1979, SU 879638 (in Russian). [Google Scholar]
- V.G. Porvenkov: Acoustics and tuning of musical instruments. Musika, 1990 (in Russian). [Google Scholar]
- S. Gogolev: Hybrid acoustic piano. Patent filed 25. Feb. 2021, WO 2022/180295 A1. [Google Scholar]
- J. Sawicki, M. Abel, E. Schöll: Synchronization of organ pipes. European Physical Journal B 91 (2018) 24. [CrossRef] [Google Scholar]
- Original Compositions for Organ. No. 408. Trois Impressions. Novello & Co., 1909. [Google Scholar]
- F. Hergert: SupplMat (Audio Files) [Audio files], ResearchGate, 2024. https://dx.doi.org/10.13140/RG.2.2.20070.02889. [Google Scholar]
Current usage metrics show cumulative count of Article Views (full-text article views including HTML views, PDF and ePub downloads, according to the available data) and Abstracts Views on Vision4Press platform.
Data correspond to usage on the plateform after 2015. The current usage metrics is available 48-96 hours after online publication and is updated daily on week days.
Initial download of the metrics may take a while.