Open Access
Review
Table 1
Chronological list of the studies about single reed perception. The subjects and assessment methods are reported following the terminology used by the respective authors.
| Year | Material | Subjects | Assessment |
|---|---|---|---|
| 1995 [13] | Clarinet (100 reeds) | 10 clarinet students (professional or preprofessional) | Overall quality 5 descriptors |
| 1998 [69] | Clarinet (60 reeds) | 2 experienced clarinettists (including 2nd author) | 6 abilities (averaged as overall quality category) |
| 1999 [65] | Clarinet (10 reeds) | 32 clarinet players (professional) | 5 quality factors |
| 2003 [50] | Clarinet (24 reeds) | 2 clarinet players (professional soloists) | Musical quality (4 categories) |
| 2007 [68] | Alto/tenor saxophone (25 reeds) | 1 experienced musician (3rd author) | 6 parameters (averaged as overall quality score) |
| 2014 [70] | Clarinet (9 reeds) | 2 clarinet players (professional and author) | Musical quality (good/mediocre) |
| 2016 [66] | Clarinet (200 reeds) | 1 expert musician (professional reed tester) | 3 descriptors |
| 2016 [71] | Clarinet (27 reeds) | 2 professional clarinetist | 1 parameter (3 categories) |
| 2017 [15] | Tenor saxophone (20 reeds) | 10 saxophone students (skilled musicians) | Global quality 2 descriptors |
| 2017 [14] | Tenor saxophone (20 reeds) | 7 musicians (amateurs and professionals) | Global quality 2 descriptors |
| 2018 [55] | Clarinet (40 reeds) | 1 professional clarinetist (author) | 2 descriptors 2 abilities |
| 2020 [67] | Alto saxophone (8 reeds) | 1 jazz musician (professional) | 1 parameter (ranking) |
| 2022 [72] | Tenor saxophone (12 reeds) | 1 professional saxophonist | Dissimilarity 4 criteria |
| 2023 [63] | Clarinet (13 reeds) | 2 experienced musicians (including 1st author) | Overall quality (good/bad) |
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